Dealing with people who aren’t actors or broadcasters can be quite difficult, specially when time is a concern, and really, when isn’t it?
As opposed to speaking with some off-camera stranger, the niche speaks right to the camera. This way, your audience is in the conversation, not only eavesdropping.
The great documentary filmmaker Errol Morris popularized direct to camera interviews with his creation, the Interrotron. The Interrotron Errol Morris gives you the identical effect. To put it simply, there are two teleprompters, each fed the video signals with the opposite camera. The subject sees the face area from the interviewer and vice versa. They only have an one-on-one conversation over video.
At every Interrotron gig I work, you will find no less than three those who walk out their approach to ask me queries about it. It is a pretty simple set up, just two teleprompters and two cameras with direct feeds together. Not an issue, nevertheless it blows your brain of so many people. I take people from the “tour” of what Interrotron is focused on, and explain why the Interrotron is utilized.
The Interrotron takes away the impersonal interaction of the camera, and replaces it with all the director’s face, for an one-on-one conversation. BRILLIANT! Mostly useful for interviews, it allows the topic to relax and respond naturally to the camera, and for that reason be interesting to watch.
The other number of “talent” that responds very well to Interrotron are kids. Children aren’t abstract, they may be universally concrete. So, taking direction and putting a performance for the camera doesn’t always gell in to the psyche of children. The Interrotron removes the abstract and causes it to be concrete. The director can talk directly to the kids, with the camera, and also the kids can provide their performance right to the director.
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